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The Lineup: The World's Greatest Crime Writers Tell the Inside Story of Their Greatest Detectives
Otto Penzler
"A great recurring character in a series you love becomes an old friend. You learn about their strange quirks and their haunted pasts and root for them every time they face danger. But where do some of the most fascinating sleuths in the mystery and thriller world really come from?
What was the real-life location that inspired Michael Connelly to make Harry Bosch a Vietnam vet tunnel rat? Why is Jack Reacher a drifter? How did a brief encounter in Botswana inspire Alexander McCall Smith to create Precious Ramotswe? In THE LINEUP, some of the top mystery writers in the world tell about the genesis of their most beloved characters--or, in some cases, let their creations do the talking." Amazon.com
Ayn Rand and the World She Made
Anne C. Heller
"Alissa Zinovievna Rosenbaum was born to Jewish parents in 1905 Russia. Ayn Rand left Russia in 1926 for America and founded her anticollectivist philosophy, Objectivism, a philosophy of free market capitalism and the pursuit of self-interest as a moral good. Depressive, pill-taking, chain-smoking and manipulative, Rand's life was defined by a longtime Sunset Boulevard–like affair with Nathaniel Branden, who went on to start the self-esteem movement. At the same time, the combustible Rand was married to a passive man with matinee-idol looks. Magazine editor and journalist Heller competently describes Rand's feuds with William F. Buckley and with her sister, who had remained in the U.S.S.R., and the more courtly relationship Rand had with publisher Bennett Cerf. This objective account of the Objectivist Rand will interest her still large and devoted readership." Publishers Weekly
"Like Holden Caulfield and Huckleberry Finn, Rand's fictional heroes strike each new generation as timelessly American in their self-reliance and revolt against timidity and conformity. And her passionate, brainy arguments on behalf of limited government and unfettered individual rights strike a strong chord, especially in times of economic trouble and increased government activism." Anne C. Heller
What the Dog Saw: and Other Adventures
Malcolm Gladwell
"What is the difference between choking and panicking? Why are there dozens of varieties of mustard-but only one variety of ketchup? What do football players teach us about how to hire teachers? What does hair dye tell us about the history of the 20th century?
"In the past decade, Malcolm Gladwell has written three books that have radically changed how we understand our world and ourselves: The Tipping Point; Blink; and Outliers. Now, in What the Dog Saw, he brings together, for the first time, the best of his writing from TheNew Yorker over the same period.
"Here is the bittersweet tale of the inventor of the birth control pill, and the dazzling inventions of the pasta sauce pioneer Howard Moscowitz. Gladwell sits with Ron Popeil, the king of the American kitchen, as he sells rotisserie ovens, and divines the secrets of Cesar Millan, the "dog whisperer" who can calm savage animals with the touch of his hand. He explores intelligence tests and ethnic profiling and "hindsight bias" and why it was that everyone in Silicon Valley once tripped over themselves to hire the same college graduate.
" Good writing,' Gladwell says in his preface, does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head.' What the Dog Saw is yet another example of the buoyant spirit and unflagging curiosity that have made Malcolm Gladwell our most brilliant investigator of the hidden extraordinary." Amazon.com
Literary Hoaxes: an Eye-Openning History of Famous Frauds
Melissa, Katsoulis
"With well-researched irony and straight-faced humor, British writer Katsoulis pulls the covers off of several notorious literary frauds, tracing the art of the Big Lie from Dionysius the Renegade, who wrote a fake Sophocles play that insulted his Stoic teachers, to more modern publishing pranks. Katsoulis writes of the amazing lengths to which people will go to practice a deception, and the sheer nonsense gullible readers are willing to swallow, posing a quest for fame or fortune as the motive behind such popular hoaxes as 1983's The Hitler Diaries. In the 1990s, Lex Cusack tried to raise his late father's reputation by asserting his father had advised JFK and claiming to have found shocking letters by the president among his father's paper; similarly, William Ireland in the 1790s sought his bibliophile father's approval with his faked Shakespeare documents. Katsoulis also blasts those who seek to make a profit on the suffering and death of the Holocaust in her blistering account of fake memoirs. For those intrigued by the notion of literary hoaxes, this is an entertaining guide." Publishers Weekly
Why You Should Read Kafka Before You Waste Your Life
James Hawes
"Everybody knows the face of Franz Kafka, whether they have read any of his works or not. And that brooding face carries instant images: bleak and threatening visions of an inescapable bureaucracy, nightmarish transformations, uncanny predictions of the Holocaust. But while Kafka's genius is beyond question, the image of a mysterious, sickly, shadowy figure who was scarcely known in his own lifetime bears no resemblance to the historical reality. Franz Kafka was a popular and well-connected millionaire's son who enjoyed good-time girls, brothels, and expensive porn, who landed a highly desirable state job that pulled in at least $90,000 a year in today's dollars for a six-hour day, who remained a loyal member of Prague's German-speaking Imperial elite right to the end, and whose work was backed by a powerful literary clique. . . . "James Hawes wants to tear down the critical walls which generations of gatekeepers---scholars, biographers, and tourist guides---have built up around Franz Kafka, giving us back the real man and the real significance of his splendid works. And he'll take no prisoners in the process." Product Description, Amazon.com
Killed Cartoons: Casualties from the War on Free Expression
David Wallis, Editor
"Operating under the premise that it's fun to get a glimpse of something verboten, Wallis (Killed: Great Journalism Too Hot to Print) presents dozens of political cartoons yanked prior to publication. Functioning as both a compendium and history of political cartooning, the book is full of cartoons, each accompanied by a brief narrative describing why it was killed, and though some cartoons seem fairly innocuous, the background provides intriguing context. Perennially controversial cartoonist Ted Rall has several entries, including one from 1991 captioned "How Gulf War Veterans Like To Spend Their Summers," which features a kooky-looking guy burying beachgoers. It was inspired, Wallis writes, "by a report in Newsday that U.S. Gulf War veterans might be having some remorse about using tanks outfitted with earthmoving plows to bury Iraqi troops alive." Older cartoons are included, as well, like a David Low cartoon killed in 1937 that "skewered the imperialist ambitions of Fascist leaders in Spain, Japan, Germany and Italy." Catholicism gets spanked, too, as do a host of presidents, notably Clinton, Bush I and II and Reagan. With 100 illustrations, this is a commendable collection." Publishers Weekly
Selected Letters of Martha Gellhorn
Martha Gellhorn
"Starred Review. Celebrated American war reporter Martha Gellhorn (1908–1998) was a prolific letter-writer, sharing with a circle of cherished intellectual friends her declarations against war and poverty; her frustrations in an almost exclusively male profession; her hopes for success as a novelist; and disappointments in love. Gellhorn's biographer organizes correspondence from 1930 to 1996, interspersing brief commentaries that place it in the context of Gellhorn's nonstop global assignments and various international domiciles. Gellhorn's tone is typically warm, forthright and full of spirited analysis. More guarded are letters to her former second husband, Ernest Hemingway, and letters to her adopted son, Sandy, with whom she had a troubled relationship. With Eleanor Roosevelt, a lifelong friend, she shared a passionate liberal outlook; letters to Leonard Bernstein attempt to convey her appreciation of his art. While Gellhorn's unswerving energy and work ethic impress, her love of fierce debate, hard drinking, male company and sunbathing, and her capacity to lose her head in romance render her thoroughly human. Particularly moving is Gellhorn's troubled passage into old age and isolation in the African bush, before being rediscovered as a Grande Dame of journalism by a young London literary crowd, in whose company she delighted. Gellhorn's letters sparkle to the very last." Publishers Weekly
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